{"id":65,"date":"2012-10-16T19:45:17","date_gmt":"2012-10-16T19:45:17","guid":{"rendered":"http:\/\/sites.music.mcgill.ca\/vat\/?page_id=65"},"modified":"2020-12-02T10:38:17","modified_gmt":"2020-12-02T15:38:17","slug":"publications","status":"publish","type":"page","link":"https:\/\/sites.music.mcgill.ca\/vat\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"

Selected Publications<\/strong><\/h4>\n
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[1] Jack Kelly, Wieslaw Woszczyk and Richard King, \u201cAre you there? A Literature Review of Presence for Immersive Music Reproduction\u201d, AES 149th Convention, New York, USA, 2020 October 21\u201324.<\/p>\n

[2] Woszczyk, W., Benson, D.H., Experiencing room acoustics through a library of multichannel high-resolution room impulse responses:, Proceedings of ICA 2019, 23rd<\/sup> International Congress on Acoustics, Sept. 9-12, 2019. Aachen, Germany.\u00a0 <\/span>pp. 7935-7942.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[3] D. Ko and W. Woszczyk, \u201cVirtual Acoustics for Musicians: Subjective Evaluation of a Virtual Acoustic System in Performance of String Quartets,\u201d J. Audio Eng. Soc., vol. 66, no. 09, pp. 1\u201312, (2018 September).<\/p>\n

[4] Woszczyk, W., \u201cAcoustics of Hagia Sophia. Virtual and scientific approach to humanities and sacred space.\u201d Book Chapter in Bissera V. Pentcheva, Stanford\/Onassis Aural Architecture, Ashgate Publishing Ltd., UK. (2017)<\/p>\n

[5] Wieslaw Woszczyk, \u201cVirtual acoustics in multimedia production – beyond enhancing the acoustics of concert halls\u201d, Session 1pMU, Invited Paper, Proceedings of the 5th Joint Meeting of the Acoustical Society of America and the Acoustical Society of Japan, 28 November\u20132 December 2016, Honolulu, HI, J. Acoust. Soc. Am., Vol. 140, No. 4, Pt. 2.<\/p>\n

[6] Kaushik Sunder and Wieslaw Woszczyk, \u201cInvestigation of Impulse Response Recording Techniques in Binaural Rendering of Virtual Acoustics\u201d, Convention Paper 9609, 141st\u00a0<\/sup>Convention of Audio Engineering Society (October 2016), Los Angeles, USA<\/p>\n

[7] Woszczyk, Wieslaw; Fidecki, Tadeusz; Hong, Jung Wook (Jonathan); Rudzki, Tomasz; Benson, David; \u201cAcoustical Measurements of Warsaw\u2019s Chamber Opera House Using Two Types of Sound Sources for Subsequent Auralization\u201d,\u00a0138th\u00a0<\/sup>Convention of Audio Engineering Society (May 2015), Warsaw Poland. Paper Number: 9260<\/p>\n

[8] Hong, Jung Wook (Jonathan); Woszczyk, Wieslaw; Begault, Durand R.; Benson, David; \u201cSynthesis of Moving Reverberation Using Active Acoustics – Preliminary Report\u201d, 138th\u00a0<\/sup>Convention of Audio Engineering Society (May 2015), Warsaw, Poland.\u00a0 Paper Number: 9326<\/p>\n

[9] Ko, Doyuen; Woszczyk, Wieslaw; \u201cEvaluation of a New Active Acoustics System in Music Performance of String Quartets\u201d, the\u00a059th International Conference of Audio Engineering Society: Sound Reinforcement Engineering and Technology (July 2015), McGill University, Montreal, Canada.<\/p>\n

[10] Woszczyk, W., Begault, D., and Higbie A.G., (2014) \u201cComparison and Contrast of Reverberation Measurements in Grace Cathedral\u201d, Engineering Brief, AES 137th\u00a0<\/sup>Convention of the Audio Engineering Society, October 9-12, 2014.<\/p>\n

[11] Woszczyk, W., \u201cAcoustics of Hagia Sophia. Virtual and scientific approach to humanities and sacred space.\u201d Invited Paper for the <\/span>Aural Architecture Seminar at Stanford University supported by the Onassis Foundation (USA). January 27, 2014. https:\/\/auralarchitecture.stanford.edu<\/span><\/p>\n

[12] Woszczyk, W.,\u00a0\u201cAcoustic enhancement of musical performance\u201d, Invited Paper, ISSET 2013, Proceedings of the 15th International Symposium on Sound Engineering and Mastering, Krakow, Poland, June 27-29, 2013.<\/p>\n

[13] Woszczyk, W., Ko, D., Hong, J., “Towards the state of the art in virtual acoustics technology\u201d, Invited Paper, Proceedings of the 21st International Congress on Acoustics, ICA 2013, Montreal, 2-7 June 2013<\/p>\n

[14] Ko, D., Woszczyk, W., Hong, J.,\u00a0and Levine, S., \u201c”Augmented stage support in ensemble performance using virtual acoustics technology”, Proceedings of ICA 2013, the 21st\u00a0International Congress on Acoustics, Acoustical Society of America Publications Office, Montreal, 2-7 June 2013.<\/p>\n

[15] Abel, J.S.,\u00a0Woszczyk, W., Ko, D., Levine, S., Hong, J., Skare, T., Wilson, M.J., Coffin, S., Lopez-Lezcano, F., (2013) \u201cRecreation of the acoustics of Hagia Sophia in Stanford\u2019s Bing Concert Hall for the concert performance and recording of Cappella Romana\u201c, ISRA 2013, Proceedings of the International Symposium on Room Acoustics, Toronto, Canada, 2013 June 9-11.<\/p>\n

[16] Benson, D. and Woszczyk, W., \u201cComparing Search Interfaces for Room Impulse Response Libraries\u201d, Audio Engineering Society, Paper Number: <\/b>8758, Audio Engineering Society Convention Paper, in Proceedings of the 133rd<\/sup>Convention, San Francisco, October 26-29, 2012.<\/span><\/p>\n

[17] Woszczyk, W.<\/span>, Leonard, B., Benson, D., “Spatial Sound Design Tool for 22.2 channel 3D Audio Productions with Height”<\/span>, Paper Number: 8753, Audio Engineering Society Convention Paper, in Proceedings of the 133rd<\/sup> Convention, San Francisco, October 26-29, 2012.<\/span><\/p>\n

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[18] D. Ko, W. Woszczyk, and S. H. Chon, \u201cEvaluation of a New Active Acoustics System in Performances of Five String Quartets,\u201d The 132nd Audio Engineering Society Convention, Apr. 2012.<\/p>\n

[19] W. Woszczyk, D. Ko, and B. Leonard, \u201cVirtual Acoustics at the Service of Music Performance and Recording,\u201d Archives of Acoustics, pp. 1\u20135, Mar. 2012.<\/p>\n

[20] Woszczyk, W<\/span>., <\/b>Ko, D.,\u00a0 and Hong, J., \u201c<\/span><\/span>A new active acoustics system for enhancing musician\u2019s environment on concert and recording stages\u201d, <\/span>Invited paper for the special session \u201cVariable Acoustics on Concert Stages\u201d, <\/i>Proceedings of the<\/span> 162nd<\/sup> Meeting of the Acoustical Society of America. San Diego, USA. <\/i>November 2, 2011.<\/span><\/p>\n

<\/i>[21] Woszczyk, W<\/span>., Ko, D.,\u00a0 and Hong, J., \u201c<\/span><\/span>Playing the Room: interactive virtual acoustics enhances musicians\u2019 performance on concert and recording stage\u201d, <\/span>Popular version of paper 3aAA2, Invited paper for the special session \u201cVariable Acoustics on Concert Stages\u201d, Presented at the 162nd<\/sup> Meeting of the Acoustical Society of America, San Diego, USA,\u00a0 November 2, 2011.<\/span><\/span><\/p>\n

[22] W. Woszczyk, D. Ko, and B. Leonard, \u201cA Convolution-Based System for Virtual Acoustic Support of Performing Musicians,\u201d The 129th Audio Engineering Society Convention, Nov. 2011.<\/p>\n

[23] W. Woszczyk, B. Leonard, and D. Ko, \u201cSpace Builder: An Impulse Response Based Tool for Immersive 22.2 Channel Ambiance Design,\u201d The 40th Audio Engineering Society International Conference, Oct. 2010.<\/p>\n

[24] W. Woszczyk, D. Ko, and B. Leonard, \u201cVirtual Stage Acoustics: a flexible tool for providing useful sounds for musicians,\u201d International Symposium on Room Acoustics, pp. 1\u20138, Aug. 2010.<\/p>\n

[25] W. Woszczyk, T. Beghin, M. de Francisco, and D. Ko, \u201cRecording Multichannel Sound within Virtual Acoustics,\u201d The 127th Audio Engineering Society Convention, Oct. 2009.<\/p>\n

[26] W. Woszczyk, D. Ko, and B. Leonard, \u201cConvolution-Based Virtual Concert Hall Acoustics Using Aural Segmentation and Selection of Multichannel Impulse Responses ,\u201d Inter-Noise, pp. 1\u20138, Sep. 2009.<\/p>\n

[27] W. Woszczyk, D. Ko, B. Leonard, and D. Benson, \u201cSelection and Preparation of Multi-Channel Room Impulse Responses for Interactive Low-Latency Rendering of Virtual Rooms,\u201d The 16th International Congress on Sound and Vibration, pp. 1\u20138, Jul. 2009.<\/p>\n

[28] W. Woszczyk, T. Beghin, M. de Francisco, and D. Ko, \u201cDevelopment of Virtual Acoustic Environments for Music Performance and Recording,\u201d The 25th TONMEISTERTAGUNG \u2013 VDT International Convention, p. 11, Nov. 2008.<\/p>\n

[29] W. Woszczyk and W. Martens, \u201cEvaluation of Virtual Acoustic Stage Support for Musical Performance,\u201d Acoustics, 2008.<\/p>\n

[30] W. Woszczyk, \u201cLow-latency Virtual Acoustics for Live Music Performance and Recording ,\u201d Sound and Vibration, p. 8, Apr. 2006.<\/p>\n

Workshops & Presentations<\/strong><\/h4>\n

Wieslaw Woszczyk and Dave H. Benson:\u00a0\u201cDevelopment of McGill Library of Virtual Rooms\u201d,\u00a0<\/em>CIRMMT Workshop: Audio in Advanced Digital Age?\u00a0A832, Elizabeth Wirth Music Building, 527 Sherbrooke St. W., du\u00a023\/10\/2019 09:00\u00a0au\u00a023\/10\/2019 13:30)<\/p>\n

Woszczyk, \u201cExperiencing room acoustics through a library of multichannel high-resolution room impulse responses<\/em>\u201d, at ICA 2019, 23rd<\/sup> International Congress on Acoustics, Sept. 9-12, 2019. Aachen, Germany<\/p>\n

Dave Benson, Wieslaw Woszczyk: “Predicting verbal descriptions of algorithmic reverb presets using audio signal features”, <\/em>CIRMMT Workshop on Machine Hearing and Learning, September 2018.<\/p>\n

Research Workshop on \u201cPragmatic approaches to high-resolution audio\u201d,\u00a0<\/strong>CIRMMT Research Axis 1 with McGill AES Student Section, January 13 and 14, 2017.<\/p>\n

Research Workshop on “Headphones: technologies, devices, and applications”. \u00a0CIRMMT Research Axis1 Workshop. Apr 19, 2017.<\/p>\n

Wieslaw Woszczyk, \u201cNew Audio Grammar: Sound Spatialization and Virtual Composing\u201d, Invited Presentation in Conference program of MUTEK_IMG \/ VR Salon from Nov. 9-11, 2016, Rialto Theatre, Montreal, QC.<\/p>\n

Wieslaw Woszczyk, \u201cVirtual acoustics in multimedia production – beyond enhancing the acoustics of concert halls\u201d, Invited Presentation in Session 1pMU on \u201cMusical Acoustics: Music and Sound in Multimedia\u201d, at the 5th Joint Meeting ASA\/ASJ, Honolulu, HI, USA. Nov 28- Dec 2, 2016.<\/p>\n

Woszczyk, W., \u201cSpace Builder and Open Orchestra: tools for ambient design in surround sound with height, and for training of music students in a virtual ensemble \u201c, Colloquium \u201cInformatik\u201d, Wednesday, April 09, 2014 at Institute of Technical Acoustics, RWTH Aachen University, Aachen, Germany<\/p>\n

Woszczyk, W., \u201cMeasurement and virtual reconstruction of the acoustics of Hagia Sophia..\u201d, Colloquium \u201cAkustik\u201d, Friday, April 11, 2014 at Institute of Technical Acoustics, RWTH Aachen University, Aachen, Germany<\/p>\n

Woszczyk, W., \u201cThe Virtual Haydn Complete Works for Solo Keyboard\u201d, Hochschule f\u00fcr Musik, K\u00f6ln, Friday, 11 April 2014, 19:00 Uhr<\/p>\n

Woszczyk, W., \u201cThe Virtual Haydn: Virtual Acoustics at the Service of Musical Performance and Recording\u201d, \u00a0Akademicka Inicjatywa Filmowo-Fonograficzna, Uniwersytet Muzyczny Fryderyka Chopina, Warszawa. 19 May 2014.<\/p>\n

Woszczyk, W., \u00a0\u201cAcoustics of Hagia Sophia. Virtual and scientific approach to humanities and sacred space.\u201d Invited Paper for the Aural Architecture Seminar at Stanford University supported by the Onassis Foundation (USA). \u00a0https:\/\/auralarchitecture.stanford.edu. January 27, 2014.<\/p>\n

\u201cActive Acoustics Today: Challenges, Solutions, Applications,\u201d The 132nd Audio Engineering Society Convention. Budapest, Hungary, Apr.-2012.<\/p>\n

W. Woszczyk and D. Ko, \u201cA New Active Acoustics System for Enhancing Musician’s Environment on Concert and Recording stages.,\u201d presented at the The 162nd Acoustical Society of America Meeting, San Diego, USA, 2011.<\/p>\n

\u201cA New Active Acoustics System for Enhancing Musicians’s Performance on Concert and Recording Stages,\u201d Technoblitz. Montreal, Canada, Nov.-2011.<\/p>\n

W. Woszczyk, \u201c<\/strong>Virtual Acoustics: Adaptable Environment for Musical, Theatrical, and Domestic Creation and Production\u201d presented in \u201cThe Challenging Digital Media: The Performing Arts Conference\u201d held at the University of Waterloo, Stratford Campus, Ontario (September 28-30, 2011).<\/p>\n

W. Woszczyk, “Virtual Acoustics” presented at Nordic Sound Symposium XXV in Sarpsborg, Norway (September \u00a022-25, 2011). <\/span>T<\/span>he 25th<\/sup> anniversary of the symposium,\u00a0<\/span>hosted by the Norwegian Broadcasting Corporation NRK), Oslo. \u00a0<\/span><\/p>\n

Wieslaw Woszczyk,\u201cActive (virtual) acoustics in the service of music performance and recording\u201d. Symposium coordinated with festival “Musica Electronica Nova”.\u00a0 Invited Plenary Talk at the 14th International Symposium on Sound Engineering and Tonmeistering ISSET 2011 in Wroclaw, Poland, in May 19-21, 2011.<\/p>\n

W. Woszczyk, “A new Active Acoustics System for Enhancing Musicians\u2019 Performance on Concert and Recording Stages\u201d. Invited paper presented at\u00a0162nd Meeting of the Acoustical Society of America in San Diego, October 31 – November 4, 2011, in the Session: \u201cVariable Acoustics on Concert Stages\u201d.<\/p>\n

\u201cSpace Builder: A Comprehensive Production Tool for 22.2 Channel Sound Design,\u201d The 40th Audio Engineering Society International Conference. Tokyo, Japan, Oct.-2010.<\/p>\n

\u201cVirtual Haydn: Recording and Performing in Virtual Acoustics,\u201d The 127th Audio Engineering Society Convention. New York, USA, Oct.-2009.<\/p>\n

W. Woszczyk, D. Ko, T. Beghin, M. de Francisco, J. Tusz, and R. Miller, \u201cVirtual Acoustic Environments for Music Performance, Rehearsal, and Recording,\u201d presented at the Acoustics, Joint Meeting of the Acoustical Society of America, EAA, SFA, Euro-Noise, Paris, France, 2008.<\/p>\n

T. Beghin, M. de Francisco, D. Ko, W. Woszczyk, E. Helyard, R. Miller, and J. Tusz, \u201cVirtual Acoustics and The Recording of Joseph Haydn’s Keyboard Music,\u201d presented at the American Musicological Society, Quebec City 2007, Quebec city, Canada, 2007.<\/p>\n

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Production of concerts presented in Virtual Acoustics<\/span><\/b><\/b><\/h2>\n
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(2017) <\/em><\/p>\n

MINI Concert in Virtual Acoustics featuring <\/em><\/strong>Juliana Urban (Baroque soprano) and Alexis Risler (archlute) with the music of Barbara Strozzi. <\/strong>CIRMMT Immersive Presence Lab A-820, Monday, 1 May 2017. Special private concert in Virtual Acoustics for the McGill Principal and Vice-Chancellor Suzanne Fortier to honor the Group of Prominent Women.<\/p>\n

(2016) <\/em><\/p>\n

MINI Concert in Virtual Acoustics featuring <\/em><\/strong>Megan Micelli (soprano) and Patrick Hansen (piano) <\/strong>for Opera America Conference <\/strong>participants on May 19, 2016, presented in the MultiMedia Room of the Schulich School of Music of McGill University featuring the McGill Virtual Acoustics Technology (VAT).<\/p>\n

(2015) <\/em><\/p>\n

Jazz Concert in Virtual Acoustics <\/strong>(with McGill Virtual Acoustics Technology) featuring \u201cEric Harding Quintet\u201d <\/strong>during the closing ceremony of the 59th International Conference of the Audio Engineering Society on Sound Reinforcement held at McGill University, in The Elizabeth Wirth Music Building, MultiMedia Room, July 17, 2015.<\/p>\n

(2014) <\/em><\/p>\n

Professor Tom Beghin\u2019s third Live@CIRMMT performance in Virtual Acoustics at McGill. <\/strong>BEETHOVEN\u2019S SONATAS OPUS 90 AND 106 (\u201cHAMMERKLAVIER\u201d) performed ON A STREICHER FORTEPIANO IN VIRTUAL ACOUSTICS. June 20 and 22, 2014 <\/strong>The two Live@CIRMMT concerts are a part of Montreal Baroque Festival<\/strong>, taking place in the MultiMedia Room of the Schulich School of Music.<\/p>\n

Concert Improvisation <\/strong>\u201cImprovising Space\u201d in Virtual Acoustics <\/strong>featuring: John Butcher (UK), Jen Reimer, Max Stein and Adam Basanta in Improvised Performance presented with the VAT system (Virtual Acoustic Technology) in the MultiMediaRoom, in collaboration with Eric Lewis. June 9, 2014. <\/strong><\/p>\n

\u201cMusical Cocktail in Virtual Acoustics\u201d <\/strong>featuring Andrea Stewart, Cello Solo, performing Bach \u2013 Cello Suite no. 3 in C Major \u2013 Courant for McGill University Principal\u2019s International Advisory Board Meeting. <\/strong>Oct. 22 \u2013 2014 in the MultiMedia Room of the Schulich School of Music featuring the McGill Virtual Acoustics Technology.<\/p>\n

(2013) <\/em><\/p>\n

Special Concert ‘Virtual Salon’ <\/strong>featuring Matt Haimovitz (cello), <\/strong>and Tom Beghin (fortepiano)<\/strong>, \u00a0<\/strong>in performance of Ludwig van Beethoven (1770-1827) Sonata for Cello and Fortepiano in A Major, Opus 69 (1807\/08). Presented by the Virtual Acoustic Technology (VAT) lab of McGill University for International Congress of Acoustics held 2-7 June 2013 at the Palais des congress in Montreal. The Virtual Salon was presented at the Schulich School of Music of McGill University in the MultiMedia Room, 527 Rue Sherbrooke st west, Montreal, June 5, 2013 (17:30 to 18:30).<\/p>\n

Gili Loftus <\/strong>doctoral recital performed in virtual acoustics. Awarded 2014 Graduate Award celebrating Artistry in Performance to focus on Clara Schumann, the successful XIX century virtuoso performer and composer November 2013<\/strong>.<\/p>\n

(2012) <\/em><\/p>\n

The \u201cVirtual Salon\u201d <\/strong>chamber concert – music by Joseph Haydn and Franz Schubert, as part of the Schulich School of Music\u2019s \u2018Year of Early Music\u2019. <\/strong>Seven distinguished musicians gather for a special evening of chamber music performed in VIRTUAL ACOUSTICS. On the program: Schubert\u2019s famous \u201cTrout\u201d Quintet, five of his \u201cwater\u201d themed songs, as well as Haydn\u2019s Trio Hob. XV: 13 and Quartet \u201cOpus 33 Nr. 5.\u201d The Virtual Salon offers some cutting-edge music making in a high-tech environment. Friday, February 3, 2012 at 7:30pm and Saturday, February 4, 2012 at 7:30pm in the MMR, MultiMedia Room, New Music Building, McGill University.<\/p>\n

PERFORMERS: \u2028Elizabeth Blumenstock, violin & viola; \u2028Olivier Brault, violin & viola; \u2028Marjolaine Lambert, violin; \u2028Elisabeth Le Guin, cello; \u2028Nicolas Lessard, double bass\u2028; Sanford Sylvan, baritone; \u2028Tom Beghin, fortepiano;\u2028 Wieslaw Woszczyk, virtual acoustics architect.<\/p>\n

The two fortepianos used are replicas by Chris Maene (Ruiselede, Belgium) of Anton Walter (Vienna, 1782) and Nannette Streicher (Vienna, 1808).<\/p>\n<\/div>\n

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(2011) <\/em><\/p>\n

Virtual Acoustics serves Performance Practice <\/strong><\/p>\n

String Quartets in Virtual Acoustics (August 15-26, 2011). \u2028Choral experiments with Peter Schubert and the choir (Sept. 20, 2011) Baroque chamber and chorus with Valerie Kinslow. (November 24, 2011)<\/p>\n

(2010) <\/em><\/p>\n

Concert \u201cEarthly Musics in Celestial Spheres<\/strong>\u201d with Group Sonde (Andrew Culver, Charles de Mestral, Lori Freedman, John Heward) performing new music improvisations in Virtual Acoustics featuring the VAT Lab in the MultiMedia Room with 120 audience members. September 17, 2010.<\/p>\n

Laudatoria: Mini-concert and presentation of the McGill Virtual Acoustics Technology <\/strong>during the Laudatoria Gala Dinner with the performance by Professor Tom Beghin (fortepiano). October 30, 2010. <\/strong><\/p>\n

(2009) <\/em><\/p>\n

Concerts of Tom Beghin <\/strong><\/p>\n<\/div>\n

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The Virtual Haydn: Four Keyboards, Three Rooms <\/em><\/strong><\/p>\n

Two live concerts of Tom Beghin performing Haydn solo keyboard works on clavichord, fortepiano (with \u201cstoss\u201d-action, and with \u201cprell\u201d-action) <\/em>and harpsichord in the virtual acoustics <\/strong>of Ch\u00e2teau Eszterh\u00e1za (Fertod), Palais Lobkowitz (Vienne) and Ch\u00e2teau Ramezay (Montreal), reconstructed in the MultiMedia Room of the Schulich School of Music at McGill University.<\/p>\n

Concerts: Friday, September 25th, 2009 and Saturday, September 26th, 2009.<\/p>\n

Special HD video screening premiere of : \u00a0<\/em><\/strong>Playing the Room: the Making of \u201cThe Virtual Haydn\u201d. <\/em><\/strong><\/p>\n

The four-disc Blu-ray Box Set was produced by McGill University and released by Naxos as its first Blu-ray production (NBD 0001-04)<\/p>\n

https:\/\/www.cirmmt.org\/activities\/live-cirmmt\/haydn<\/p>\n

http:\/\/www.music.mcgill.ca\/thevirtualhaydn\/<\/p>\n

(2007) <\/em><\/p>\n

Mini-concert Lecture-Demonstration-Performance at the American Musicological Society (AMS), 73rd Annual Meeting<\/strong>, 1-4 November, 2007, in Quebec City. \u201cVirtual Acoustics and the Recording of Joseph Haydn\u2019s Keyboard Music\u2019. Performance by Tom Beghin and Erin Helyard with the 1st partial VAT test system set up framing the stage.<\/p>\n

Additional student activities in the period 2012-2017<\/strong><\/h4>\n

Numerous in class sessions, collaborations of recording students and performers in the MMR, employing virtual acoustics to augment the aural environment for recordings and study of the role of acoustics in performance and recording.<\/p>\n<\/div>\n

Master-classes, rehearsals, music-video shoots, acoustic experiments in virtual acoustics involving all styles of music, from acoustic to electric, to improvisations and ad-hoc jam sessions.<\/p>\n

Measurements of acoustic properties of the MMR, including the effects of inflatable and passive acoustic absorbers and diffusers.<\/p>\n

Measurements of early sound fields, direct sounds, emulation of musical multi-directional radiators, feedback suppression and cancellation schemes, and other developments.<\/p>\n

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Technical Presentations of Virtual Acoustics <\/strong>at the\u00a0 \u00ab\u00a0<\/strong>Open House in Virtual Acoustics\u00a0\u00bb<\/strong><\/h4>\n

Presentation and demonstration of McGill Virtual Acoustics Technology at the Workshop on Variable Acoustics to acousticians Robert Essert, Larry King, Todd Brooks, and Martin Pilchner (April 8, 2011).<\/p>\n

Presentation and demonstration of McGill Virtual Acoustics Technology to distinguished guests John and Helen Meyer, CEO, Meyer Sound Laboratories, Berkeley, California, with Jerry Placken (Feb. 16, 2011)<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Selected Publications [1] Jack Kelly, Wieslaw Woszczyk and Richard King, \u201cAre you there? A Literature Review of Presence for Immersive Music Reproduction\u201d, AES 149th Convention, New York, USA, 2020 October […]<\/p>\n<\/div>","protected":false},"author":31,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_acf_changed":false,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"full-width-content","ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-65","page","type-page","status-publish","entry"],"acf":[],"yoast_head":"\nPublications - Virtual acoustic technology lab<\/title>\n<meta name=\"description\" content=\"Virtual acoustic technology lab published several papers at international conferences.\" class=\"yoast-seo-meta-tag\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.music.mcgill.ca\/vat\/publications\/\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:locale\" content=\"en_US\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:type\" content=\"article\" class=\"yoast-seo-meta-tag\" \/>\n<meta property=\"og:title\" content=\"Publications - 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